One of the fascinating things about a kaleidoscope is that what you are looking at right now was something else just a moment ago, and in the next moment will change yet again. Creating the illusion of movement in a static object like a painting is intriguing—it’s not movement itself that is of interest, but rather the idea that what we call the real world may not be as fixed as it appears. Millions of viewpoints and infinite perspectives on as many subjects, multiple systems overlap, swirling, spinning, disorienting.

BLOODLINES   |   acrylic on canvas   |   70 x 116 in.  |   2001